Established in Kyoto, 1624, KARACHO is the only Karakami atelier in Japan that has remained in existence since the EDO period. KIRA KARACHO is the brand produced by the husband-and-wife team of TOTO AKIHIKO and AKIKO SENDA, who is the eldest daughter of the 11th generation owner of KARACHO.
Their artistry has expressed the beauty of Japanese culture through wallpaper and sliding door paintings that has graced cultural treasures as well as modern interiors. All their karakami have been hand-printed on Japanese papers with woodblocks handed down from generation to generation. They own more than 600 woodblocks.
Providing the charm of karakami to the world, they have created products which use materials other than paper to enrich people's lives which the beauty of karakami design and colors.
Real goodness that comes from handwork.
As a part of Japanese contemporary interior, Karacho tile series was born. The patterns of the tiles are what have been used for fusuma (traditional paper doors) and wall paper from long ago and which is called “karakami”.
The patterns on the tiles which are printed using various printing techniques have specific textures and an atmosphere that karakami paper has. What gives the particular texture to karakami is a powder of minerals called mica which is the same mica used for the tiles. The delicate design of karakami paper contrasted with the solid durability of tile makes Karacho tiles unique. We recommend the durable Karacho tiles series with its unique and traditional designs for your living space.
The procedure for printing the Karakami paper is to first mix the pigment with mica powder and put the pigment on the printing wood with a gauze-covered tool called “furui”. Then stroke it gently on the washi (Japanese paper) by hand. When it dries it gives a faint three-dimensional feeling and a unique texture that a machine printer can not print out. In the tile manufacturing process, a craftsman prints tiles one by one by hand with glaze and paint by a silk printing technique, and sometimes a brush is used to put the glaze directly on the tile.
This motif originates from Kumihimo, which are traditional plaited cords now normally used as a Kimono accessory. During kumihimo's knotting process, multiple cords are repeatedly stacked over each other to from a line of knots. The continual shift of the cords during this procedure is what provides the motif's meaning of transformation and prosperity.
Peonies have traditionally been preferred as a symbol of wealth and honor, as well as the seal of a supreme ruler. Of the different peony motifs, O-BOTAN is particularly splendid and gorgeous.
The interconnected, swirling clouds with thin tails represent good fortune. Clouds cause rain and thus represent fertility.
A flower motif is placed in a checkered back ground. The western-style flower in this pattern is called hanakurusu, which is a designed combination of a flower and cross. The checked pattern protects people against evils and the shape of diamonds symbolizes prosperity.
This motif raises images of circles and stars, or flowers and crosses. This auspicious pattern symbolizes the diffusion of happiness in various directions.